397 past events with the museums tag

Visitors will feel like they are stepping into a beloved children’s storybook as they encounter whimsical scenes and engaging sensory activities in this nature-inspired experience. Designed to help build confidence and cultivate scientific curiosity, children will discover and learn about animals that emerge in their neighborhoods and local forests after the sun goes down.

June 7 through November 2, 2025

Location: Center Building, Gallery 1 & 2

Cost: Included with your admission ticket

Good Night Forest is organized and produced by the Indiana State Museum and Historic Sites, with support from Ball Brothers Foundation and George and Frances Ball Foundation.

This is a Weekly Recurring Event

Runs from Jun 7, 2025 to Nov 2, 2025 and happens every:

Wednesdays: 9:00am - 12:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

The narwhal, with its unique spiral tusk, has inspired legend and fascinated people across cultures for centuries. Take a deep dive into the narwhal's Arctic world to explore what makes this mysterious animal and its changing ecosystem so important. Through first-hand accounts from scientists and Inuit community members, the exhibition will reveal how traditional knowledge and experience, coupled with the latest scientific research, heighten our understanding of these fascinating animals—and our changing global climate.

July 12, 2025 – September 28, 2025

Location: Center Building, Gallery 3

Cost: Included with your admission ticket

Narwhal: Revealing an Arctic Legend is organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Smithsonian’s National Museum of Natural History.

This is a Weekly Recurring Event

Runs from Jul 12, 2025 to Sep 28, 2025 and happens every:

Wednesdays: 9:00am - 5:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Visitors will feel like they are stepping into a beloved children’s storybook as they encounter whimsical scenes and engaging sensory activities in this nature-inspired experience. Designed to help build confidence and cultivate scientific curiosity, children will discover and learn about animals that emerge in their neighborhoods and local forests after the sun goes down.

June 7 through November 2, 2025

Location: Center Building, Gallery 1 & 2

Cost: Included with your admission ticket

Good Night Forest is organized and produced by the Indiana State Museum and Historic Sites, with support from Ball Brothers Foundation and George and Frances Ball Foundation.

This is a Weekly Recurring Event

Runs from Jun 7, 2025 to Nov 2, 2025 and happens every:

Wednesdays: 9:00am - 12:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

The narwhal, with its unique spiral tusk, has inspired legend and fascinated people across cultures for centuries. Take a deep dive into the narwhal's Arctic world to explore what makes this mysterious animal and its changing ecosystem so important. Through first-hand accounts from scientists and Inuit community members, the exhibition will reveal how traditional knowledge and experience, coupled with the latest scientific research, heighten our understanding of these fascinating animals—and our changing global climate.

July 12, 2025 – September 28, 2025

Location: Center Building, Gallery 3

Cost: Included with your admission ticket

Narwhal: Revealing an Arctic Legend is organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Smithsonian’s National Museum of Natural History.

This is a Weekly Recurring Event

Runs from Jul 12, 2025 to Sep 28, 2025 and happens every:

Wednesdays: 9:00am - 5:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Visitors will feel like they are stepping into a beloved children’s storybook as they encounter whimsical scenes and engaging sensory activities in this nature-inspired experience. Designed to help build confidence and cultivate scientific curiosity, children will discover and learn about animals that emerge in their neighborhoods and local forests after the sun goes down.

June 7 through November 2, 2025

Location: Center Building, Gallery 1 & 2

Cost: Included with your admission ticket

Good Night Forest is organized and produced by the Indiana State Museum and Historic Sites, with support from Ball Brothers Foundation and George and Frances Ball Foundation.

This is a Weekly Recurring Event

Runs from Jun 7, 2025 to Nov 2, 2025 and happens every:

Wednesdays: 9:00am - 12:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

The narwhal, with its unique spiral tusk, has inspired legend and fascinated people across cultures for centuries. Take a deep dive into the narwhal's Arctic world to explore what makes this mysterious animal and its changing ecosystem so important. Through first-hand accounts from scientists and Inuit community members, the exhibition will reveal how traditional knowledge and experience, coupled with the latest scientific research, heighten our understanding of these fascinating animals—and our changing global climate.

July 12, 2025 – September 28, 2025

Location: Center Building, Gallery 3

Cost: Included with your admission ticket

Narwhal: Revealing an Arctic Legend is organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Smithsonian’s National Museum of Natural History.

This is a Weekly Recurring Event

Runs from Jul 12, 2025 to Sep 28, 2025 and happens every:

Wednesdays: 9:00am - 5:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Experience Minnetrista during this all-access event, tailored for older adults. Guests who are 60 or older will enjoy complimentary admission, captivating exhibitions, and exclusive activities crafted just for you!

September 24; 9:30 a.m.–5 p.m.
Location: All Campus
Free Community Event

Preregistration is highly encouraged. Senior Day is generously sponsored by LifeStream Services and Meeks Mortuary & Crematory.

Visitors will feel like they are stepping into a beloved children’s storybook as they encounter whimsical scenes and engaging sensory activities in this nature-inspired experience. Designed to help build confidence and cultivate scientific curiosity, children will discover and learn about animals that emerge in their neighborhoods and local forests after the sun goes down.

June 7 through November 2, 2025

Location: Center Building, Gallery 1 & 2

Cost: Included with your admission ticket

Good Night Forest is organized and produced by the Indiana State Museum and Historic Sites, with support from Ball Brothers Foundation and George and Frances Ball Foundation.

This is a Weekly Recurring Event

Runs from Jun 7, 2025 to Nov 2, 2025 and happens every:

Wednesdays: 9:00am - 12:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

The narwhal, with its unique spiral tusk, has inspired legend and fascinated people across cultures for centuries. Take a deep dive into the narwhal's Arctic world to explore what makes this mysterious animal and its changing ecosystem so important. Through first-hand accounts from scientists and Inuit community members, the exhibition will reveal how traditional knowledge and experience, coupled with the latest scientific research, heighten our understanding of these fascinating animals—and our changing global climate.

July 12, 2025 – September 28, 2025

Location: Center Building, Gallery 3

Cost: Included with your admission ticket

Narwhal: Revealing an Arctic Legend is organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Smithsonian’s National Museum of Natural History.

This is a Weekly Recurring Event

Runs from Jul 12, 2025 to Sep 28, 2025 and happens every:

Wednesdays: 9:00am - 5:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

The narwhal, with its unique spiral tusk, has inspired legend and fascinated people across cultures for centuries. Take a deep dive into the narwhal's Arctic world to explore what makes this mysterious animal and its changing ecosystem so important. Through first-hand accounts from scientists and Inuit community members, the exhibition will reveal how traditional knowledge and experience, coupled with the latest scientific research, heighten our understanding of these fascinating animals—and our changing global climate.

July 12, 2025 – September 28, 2025

Location: Center Building, Gallery 3

Cost: Included with your admission ticket

Narwhal: Revealing an Arctic Legend is organized by the Smithsonian Institution Traveling Exhibition Service in collaboration with the Smithsonian’s National Museum of Natural History.

This is a Weekly Recurring Event

Runs from Jul 12, 2025 to Sep 28, 2025 and happens every:

Wednesdays: 9:00am - 5:00pm Timezone: EDT

Thursdays: 9:00am - 5:00pm Timezone: EDT

Fridays: 9:00am - 5:00pm Timezone: EDT

Saturdays: 9:00am - 5:00pm Timezone: EDT

Sundays: 12:00pm - 5:00pm Timezone: EDT

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.