Art

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Sabine Heller is a 3D animation industry expert working as the VP, Creative Operations at Mikros Animation with an everlasting passion for animated films and entertainment. Hear her Artist Talk in AJ225 on November 4. This event is free and open to the public.

In her 19 years of industry experience, Sabine has worked on commercial projects for clients such as Jägermeister and Ferrero, as well as 3D scanning for visual effects and toys at Gentle Giant Studios. After she discovered her excitement for rigging characters, she moved from her home country Germany to the United States and spent most of her career in the animation industry working on animated features like “Rio”, “Ice Age”, “The Peanuts Movie” and Teenage Mutant Ninja Turtles - Mutant Mayhem" at Blue Sky Studios and Mikros Animation.

Sabine holds a degree in Media System Design from the Hochschule Darmstadt in Germany, and an MFA in Computer Art from the School of Visual Arts in New York. She also received a PhD in Film Studies from the University of Kent in Canterbury and is an active member of Women in Animation, the Visual Effects Society, and the Academy of Motion Picture Arts and Sciences.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Good Time Charlie Cartwright at 111 Arts Gallery Art at the Murray Open Studios Stephen Millben at Cornerstone Center for the Arts Music by Nash Hammond at Cornerstone Center for the Arts Art Hazelwood at Gordy Fine Art and Framing Geode Slicing Event at Kat's Crystals and Curiosities America's Hometown Jazz Combo led by Dr. George Wolfe performing at a previous MPL event. The band will perform live at the November 6, 2025 MPL 150th Party The original Carnegie Lights display in 2024. A new Carnegie Lights display will take place at the November 6, 2025 MPL 150th Party. Brad Brunsman at Savage's Alehouse

111 Arts Gallery 
111 E. Main
This iconic sheet of flash measuring 5’ x 4’ will be presented for November’s First Thursday and all month. We’ll be doing flash from this sheet for $100 each, made by the famous artist Good Time Charlie Cartwright, 1984, Wichita, Kansas.

Art at the Murray
405 S. Walnut
Art at the Murray Open Studios 5-8pm: NEW: Our Mini 2nd Floor Foyer Gallery has a breathtaking photography exhibit by Jenny Moore-Smith, scenes from Antarctica taken on Smith’s grand adventure aboard the Viking ship Octantis in January 2025. Carrie Wright welcomes you for Christmas shopping with a whole new collection of lovely silk on glass ornaments amidst several other fine gifts. Visit Hue House down the hall to check out new art prints and fun accessories. Upstairs, Gallery Flaneur will be exhibiting Mark Sawrie's Adults-Only photographic/digital work, and Cassie Dunmyer has brand new work on display you don't want to miss. 

Canan Commons
500 S. Walnut St.
Fall Family Portraits on the Canan Commons Stage! As we enter the final months of 2025, it's time to think about year-end photos. Join us to get a professional digital portrait by photographer Ty Morton, with donations welcome. Sign up will also be available for our upcoming studio portrait sessions. All funds raised will benefit the Altrusa International Club and Altrusa Foundation of Muncie, IN. Through your support, we sponsor local grants, literacy initiatives, disaster relief and fight food insecurity.

Cornerstone Center for the Arts
520 E. Main
Join us during November First Thursday at Cornerstone for a night of the arts! Shop from local vendors and listen to live music from Nash Hammond in the Great Room. Explore (and shop) the works of local artist Stephen Millben in the Judith Barnes Gallery. Experience our Fall Celebration of belly dancing, stage combat, and fencing demos in the Heritage. All events are free and located on the 2nd floor.  

Gordy Fine Art & Framing Co. 
224 E. Main
Come Celebrate 10 years with Carl and Barbara Schafer as owners of Gordy Fine Art and Framing from 5 to 8. Greg Pyle will be sharing his musical talents with artworks by various artists that have called Muncie home filling the gallery. Barbara and Carl will be speaking at 6:15 pm. Refreshments will be served.

Kat’s Crystals & Curiosities
111 E Adams St 
Join us from 5-8pm for our Live Geode Slicing Event! Come and witness the transformation of raw geodes into beautiful, sparkling crystals. It's a one-of-a-kind opportunity you won't want to miss! Prices start at just $5. 

Muncie Public Library
301 E. Jackson
Muncie Public Library 150th Party at Carnegie Library from 5-8 pm. Free event for all ages. Stop by to get your picture in the photo booth, discover genealogy research with members of the Daughters of the American Revolution, check out photo exhibits of the library's history and a coloring table for kids to make cards for MPL, and enjoy free refreshments. America's Hometown Jazz Combo, led by Dr. George Wolfe, will perform live throughout the evening. MPL Director Alan Kornblau will make comments at 6 pm. 

Later, watch the "Carnegie Lights" display outside with video animations projected onto the Carnegie Library exterior, created by BSU students in the Muncie of Muses iMade immersive learning group under the direction of Prof. Kevin Klinger. Enjoy hot cocoa and treats during the outside show courtesy of The Community Foundation of Muncie & Delaware County.

Savage's Ale House (21+)
127 N. High
Savages will be showing the work of artist Brad Brunsman.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Bob Ross Painting Workshop: S30 E08—Home in the Valley

Learn Bob’s signature “wet-on-wet” technique from an experienced Certified Ross Instructor® and paint at Minnetrista! Just bring yourself, and we will provide everything you need to have a wonderful time. Just like Bob said, “Let’s get crazy!”

This workshop will take place in the Cantina, a ground-level, fully accessible space. Pre-registration is strongly preferred. Limited walk-in seating may be available, so please call ahead. Painting workshops are open to participants ages 14 and up.

Please note: Admission to the Bob Ross Experience exhibition is not included with workshop registration. All attendees must be registered to participate. Contact our front desk at 765.282.4848 for more information.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Support local artists and get some great art at the Print Sale! November 10-13 from 10 a.m. to 6 p.m. in the Atrium outside of the Ned and Gloria Griner Art Gallery. Pick up a piece to display in your room or give to a friend!

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Support local artists and get some great art at the Print Sale! November 10-13 from 10 a.m. to 6 p.m. in the Atrium outside of the Ned and Gloria Griner Art Gallery. Pick up a piece to display in your room or give to a friend!

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Support local artists and get some great art at the Print Sale! November 10-13 from 10 a.m. to 6 p.m. in the Atrium outside of the Ned and Gloria Griner Art Gallery. Pick up a piece to display in your room or give to a friend!

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Support local artists and get some great art at the Print Sale! November 10-13 from 10 a.m. to 6 p.m. in the Atrium outside of the Ned and Gloria Griner Art Gallery. Pick up a piece to display in your room or give to a friend!

Learn Bob’s signature “wet-on-wet” technique from an experienced Certified Ross Instructor® and paint in the building where The Joy of Painting was filmed! Just bring yourself, and we will provide everything you need to have a wonderful time. Just like Bob said, “Let’s get crazy!”

This workshop is held in the Bob Ross Experience studio, which is only accessible by stairs. Painting workshops are open to participants ages 14 and up. Pre-registration is strongly preferred; limited walk-in tickets may be available—please call ahead.

Please note: Admission to the Bob Ross Experience exhibition is not included with workshop registration. All attendees must be registered to participate. Contact our front desk at 765.282.4848 for more information.

Use the button below to register!

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Learn Bob’s signature “wet-on-wet” technique from an experienced Certified Ross Instructor® and paint in the building where The Joy of Painting was filmed!

Learn Bob’s signature “wet-on-wet” technique from an experienced Certified Ross Instructor® and paint in the building where The Joy of Painting was filmed! Just bring yourself, and we will provide everything you need to have a wonderful time. Just like Bob said, “Let’s get crazy!”

This workshop is held in the Bob Ross Experience studio, which is only accessible by stairs. Painting workshops are open to participants ages 14 and up. Pre-registration is strongly preferred; limited walk-in tickets may be available—please call ahead.

Please note: Admission to the Bob Ross Experience exhibition is not included with workshop registration. All attendees must be registered to participate. Contact our front desk at 765.282.4848 for more information.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Yoga is for EveryBody is not just a class—it’s a celebration of unity and mindfulness. Led by Che’Reese Anderson, MBA, MSN/HC, RN, and CEO of Namaste, this Vinyasa yoga session links breath with movement through creative sequences, offering a dynamic practice that adapts to all levels. Whether you're new to yoga or an experienced practitioner, this class provides the perfect opportunity to connect with your body, mind, and spirit in a supportive, welcoming environment.

Participants are encouraged to bring their own yoga mat (or beach towel), wear comfortable clothing, and come with an open heart. This class is open to participants ages 13 and up.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Learn Bob’s signature “wet-on-wet” technique from an experienced Certified Ross Instructor® and paint in the building where The Joy of Painting was filmed! Just bring yourself, and we will provide everything you need to have a wonderful time. Just like Bob said, “Let’s get crazy!”

This workshop is held in the Bob Ross Experience studio, which is only accessible by stairs. Painting workshops are open to participants ages 14 and up. Pre-registration is strongly preferred; limited walk-in tickets may be available—please call ahead.

Please note: Admission to the Bob Ross Experience exhibition is not included with workshop registration. All attendees must be registered to participate. Contact our front desk at 765.282.4848 for more information.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

What makes a place feel like home? For many immigrant families in East Central Indiana, it’s the textiles they carried, created, and passed down through generations—woven, embroidered, or stitched with stories.

Local metalsmith Jessica Calderwood has transformed those stories into striking enameled copper plates for her new exhibition, Threads of Home. During this discussion, Jessica will sit down with several of the very individuals whose histories and traditions shaped her work. Together, they’ll share the memories behind the imagery—an evening of conversation, artistry, and celebration of the cultural heritage that continues to shape our community.

Pre-registration is encouraged. Limited walk-in seating may be available, so please call ahead.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Learn Bob’s signature “wet-on-wet” technique from an experienced Certified Ross Instructor® and paint in the building where The Joy of Painting was filmed! Just bring yourself, and we will provide everything you need to have a wonderful time. Just like Bob said, “Let’s get crazy!”

This workshop is held in the Bob Ross Experience studio, which is only accessible by stairs. Painting workshops are open to participants ages 14 and up. Pre-registration is strongly preferred; limited walk-in tickets may be available—please call ahead.

Please note: Admission to the Bob Ross Experience exhibition is not included with workshop registration. All attendees must be registered to participate. Contact our front desk at 765.282.4848 for more information.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Learn Bob’s signature “wet-on-wet” technique from an experienced Certified Ross Instructor® and paint in the building where The Joy of Painting was filmed! Just bring yourself, and we will provide everything you need to have a wonderful time. Just like Bob said, “Let’s get crazy!”

This workshop is held in the Bob Ross Experience studio, which is only accessible by stairs. Painting workshops are open to participants ages 14 and up. Pre-registration is strongly preferred; limited walk-in tickets may be available—please call ahead.

Please note: Admission to the Bob Ross Experience exhibition is not included with workshop registration. All attendees must be registered to participate. Contact our front desk at 765.282.4848 for more information.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.

Since 2001, Open Space: Art About the Land has encouraged artists from across the state to draw inspiration from the land that surrounds us. From painters to sculptors and beyond, the exhibition presents a diverse showcase of creative talent that celebrates the beauty achieved when nature inspires art. Sachi Yanari-Rizzo, curator of prints and drawings at the Fort Wayne Museum of Art, will be this year’s exhibition juror. Once again, tandem exhibitions will be presented by Minnetrista and the Red-tail Land Conservancy’s mission to protect wild lands in East Central Indiana.